#HOLOGRAM MICROCOSM PLUS#

(This turned out to be a real godsend since my cheapo pedalboard power supply introduced a lot of noise.)

#HOLOGRAM MICROCOSM PLUS#

On the plus side, Hologram Electronics includes a power adapter in the box, which almost no pedal manufacturers do anymore. This is fairly uncommon on synths and other guitar pedals and means you might need a TRS to dual TS cable to hook up your gear. My one complaint here is that the stereo input is a single TRS jack as opposed to separate right and left ones. It’s not the biggest pedal, but it’s definitely large by modern standards.Īround the back, you’ll find the requisite audio ins and outs, along with 5-pin MIDI In and Out/Thru, and an expression pedal jack. The first thing you’ll notice: It’s huge. So let’s begin with the actual hardware itself. Honestly, there’s so much to cover when talking about the Microcosm that it’s hard to know where to start. But overall, you have an impressive number of tone-shaping tools at your disposal.

Some of these have limited controls, which is understandable considering the interface limits. There’s also a freeze function, MIDI support, and an assignable expression pedal port. There’s an excellent reverb unit, a modulation section, a resonant lowpass filter and a 60-second phrase looper onboard. Part of what makes the Microcosm stand out among a growing sea of granular and glitch pedals is the supporting cast of features Hologram Electronics includes. In essence, this is a hyper-specific type of multi-effects pedal. And each effect has four variants, bringing the total number of presets to 44 (not including the 16 user slots). The pedal has 11 different effects, divided into four categories. The Microcosm is, at its core, a granular processor, meaning that it chops up incoming audio into little bits, processes them and spits them back out.

Hologram microcosm